Friday, April 25, 2025

 

The ANZACs together

My grandfather served in the Wellington Mounted Rifles during the First World War. In 1915, he was stationed in Madras and on Lemnos—both important supply and recovery areas for the Gallipoli campaign—and later served with the Egyptian Expeditionary Force in Egypt from 1915 to 1918. Below are some photos from that time. 

I've always loved the first photo of Gtandad from 1915. He looks so young—like many others his age, he enlisted underage. In fact, my Uncle told me he turned 18 while on Lemnos.

While restoring these photos recently, I noticed something fascinating in one showing Grandad seated drinking with mates in Cairo. The man to the left of the photo is wearing an unusual uniform—note the triangle on his shoulder. After some Googling, we discovered he was a member of the Australian 27th Battalion, part of the 7th Brigade in the Second Division. The 27th was raised in South Australia and served in Egypt and at Gallipoli.

A wonderful reminder of the spirit of ANZAC Day.


Grandad in Cairo
Grandad 1915
                                           
                                                                                                                             
Grandad possibly at Lemnos
With a horse in the dessert
Grandad second from right



Thursday, July 13, 2023

Restored Photos featured in "Sure to Rise: The Edmonds Story"

Congratulations to Kate, Richard and Peter for successfully completing "Sure to Rise: The Edmonds Story". It was a pleasure for me to contribute to the project by helping Kate with the digitization and restoration of many of the family photos featured in the book. Kate possessed a remarkable collection of captivating early 20th-century photos showcasing her ancestors, which were tucked away in family photo albums. I digitized and revitalized selected images. Below are a handful of before and after examples showing the damage alongside their rejuvenated counterparts ......

Before: Family group photo - original size 24.7cm by 14cm and damage detail. Restoration included removal of scratchs, tear, dust spoting and stains (See damage in enlarged details)








Before: Ladies on the steps showing the original photo which measured 10.8cm by 6.3cm. Restoration included cropping and enlargement; removal of dust, silvering, minor marks and correction of overexposure. Photo Credit: Dianne Gallagher




After: The Ladies on the steps as featured in the final publication 16cm by 13.5cm.

Before: Photo of Thomas Edmonds supplied by others. Restoration involved minor lens correction, removal of damage - spotting dust and fading.


After: the restored portrait featured as a chapter heading in the book. 












Sunday, July 5, 2020

When was the earliest Maori photographic portrait taken?

Originally the earliest Maori photographic portrait was thought to be that of Caroline and Sarah Barrett taken ca. 1853.Ref: A71.462. https://lnkd.in/gi_3Z7f

A recent finding has now revealed an earlier portrait - that of Hemi Pomara taken in 1846 by Antoine Claudet. The hand tinted daguerreotype portrait of Hemi was taken in London (Hemi was taken to Britain in the 1840s). This portrait is in the National Library of Australia's collection and was identified by Elisa deCourcy and Martyn Jolly as part of their research for their forthcoming publication Empire, Early Photography and Spectacle: the global career of showman daguerreotypist J.W. Newland (Routledge, November 2020). See their article in the Conversation


Wednesday, April 29, 2020

Carterworks Level 3 COVID-19 update

We are open for contact less delivery and collection of items. Alternatively you can sent items via google mail or through WeTransfer. Look forward to hearing from you.

Thursday, April 2, 2020

Carterworks COVID-19 Update - we are here!


I hope everyone is keeping safe and well at home over this period.  We are here to take inquires - phone calls, emails, and digital files via our website, WeTransfer and Dropbox.   (We cannot meet in person, send out or collect physical items at this stage, but can accept electronic items)

As our business is home based we are continuing to work on a number of digitization projects and restorations which can be electronically delivered. When the lockdown period is over we can then deliver any physical copies of items.

Keep well and safe !




Tuesday, December 18, 2018

2018 Update and Christmas wishes


Santa riding the Wellington Cable Car into a tunnel by Jo Carter


I haven't blogged a lot this year as it has turned out to be a very busy year digitising and restoring images.  I am fortunate to work with many interesting and wonderful people ranging from individuals with one off jobs to larger scale collections.

There were projects for all sorts of occasions - wedding anniversaries, birthday parties; individual and professional genealogical and historical research projects, small archives, artists and insurance claims.  I provided images for specialist funeral headstones and digital and print displays.  I scanned, photographed and reproduced a whole range of items - documents, artworks, photos, slides, negatives.... making discoveries along the way identifying a tintype and an ambrotype (both unusual in NZ) as well as a photo over 1metre in length.....

Mid year I undertook a course on the Care and Identification of Photographs with Gawain Weaver through the Northern States Conservation Centre to hone my skills in photographic and print identification and storage.  I can now help my clients with preserving their original images as well as dating their photos....

We have also introduced a new service digitising 8mm and 16mm movies...

So from all of us at Carterworks, season's greetings and best wishes for the new year!

Sunday, December 24, 2017

Christmas Greetings





Credit: With thanks to the generous souls in Warkworth who put this wonderful display together in 2016

Tuesday, October 24, 2017

Do I scan the negative or do I scan its print?


At Carterworks we scan and digitize thousands of colour photographic prints, slides and negatives.

When it comes to digitizing colour photos from certain eras it is better, if possible, to scan the negative. Why is this?  If you scan a colour print and compare it to a scan of the negative used to make that print you will notice differences between the scans.  This difference is particularly obvious in prints and negatives produced circa 1980s - 1990s.  These differences are not due to scanner settings or the type of scanner.  We know this as our systems are colour controlled.  To illustrate this point we scanned negatives and their corresponding prints from our own collection.

What we found:

1. Scans taken from original negatives have a greater colour range than the scans of their corresponding colour prints. Some of this difference can be explained by the limitations of print technology and inks at the time of printing; the remainder can be attributed to environmental exposure and the unstable nature of colour photography.  Another reason is the addition of black in the shadows at the time the print was made. Black was added to  made the print images look sharper but this  means information and colour is lost in the shadows.  The negative does not have this loss of detail.


Scan from original 1990s negative

Scan from original 1990s print.  Use of black
in the shadows reduces photo information.
The photo scan has a pink colour cast

























2. Prints often have a distinctive colour cast.  This is caused by a mechanism employed by the chemical photo labs in the past to "improve a photo" which was to add a wash of whatever the dominant colour was in the image being developed.

We first discovered these differences when we scanned in a series of photos we took in the early 90s of  Art Deco buildings in Napier, NZ.  At the time the images were shot many of these buildings were predominantly painted with a soft pastel neutral background of white or cream and colour was used to pick out the building decoration. We noticed that a lot of our prints of these buildings had a colour cast which was in the same colour range as the buildings trim.  However this colour cast could not be seen in a scan of the corresponding original negative. These colour casts are obvious when compared to the original scan of the corresponding negatives, see examples above and below..


Scan from original 1990s print note the blue green colour cast

Scan from 1990s original negative

      
Scan from original 1990s negative
Scan from original 1990s print note the blue colour cast




What if you only have photos? 

This is not a problem.   We will produce a high resolution scan of your photos, remove the dust and scratches, correct any colour casts and any photographic print texture using Photoshop and other specialized editing tools as we have done in the restored example below....

Original photo no negative available with
red colour cast.
Final image corrected in Photoshop



Copyright Carterworks

Friday, May 26, 2017

LOOK BACK OVER KELBURN NORMAL SCHOOL’S FIRST 100 YEARS!

I am pleased to annouce that Kelburn Normal School's Centennial history book is now available. Jo from Carterworks was responsible for image digitisation, restoration and retouching.


LOOK BACK OVER KELBURN NORMAL SCHOOL’S FIRST 100 YEARS!
Kelburn Normal School - Celebrating 100 Years is a brand new 150+ page, fully bound, hard-cover photographic book charting the school’s first 100 years (1914-2014).
Using previously published historical information, newly sourced personal memories from some of the thousands of pupils who have passed through its doors, and hundreds of photographs from the school and national archives, it’s a fascinating look back at Kelburn Normal School.   
The book is chock-full of images of the school and its pupils from the past 100 years. Is your child, parent or great/grandparent within its pages? Many have already found theirs!
Priced at $70, the Kelburn Centenary Committee is selling the book at cost, with no profit for the school. Postage ($7.50 in New Zealand) is additional, or books can be picked up from the school’s office for free.
28th June: A new shipment of books has just arrived so if you have not already ordered now is a good time to place an order at https://www.kns100book.co.nz/
We hope you enjoy looking back over the first 100 years of Kelburn Normal School.





Saturday, May 6, 2017

Unusual marks on an old photo

Recently I was asked to restore a photograph that had some unusual fine white pin marks on each corner.   I have not seen these types of marks before....

The full restored photo

Enlarged pin mark



The marks remind me of crop marks used by print designers when laying out publications either to indicate page edges or where to crop an image. I am wondering if these marks were added by the photographer to assist the picture framer. So far my research has not been able to confirm this. Have you seen this on any of your old photos do you know what these marks indicate?
Copyright Carterworks NZ

Sunday, April 9, 2017

Wonderful wedding photos

Wedding photos are always wonderful!

In the last couple of weeks I have restored a number of Edwardian wedding photos for different clients.  The images featured in this blog show an extended family as well as the bridal couple on the verandah of the family homestead....







Below are the faded originals which contain multiple fine scratches, stains, spotting etc. The real challenge with a restoration like this is to remove the damage while retaining the detail of the dresses.

                                                                                                                        

Copyright Carterworks NZ


Friday, April 7, 2017

National library conservation clinic

The National library offers a Conservation Clinic every two months - the next one is on the 18th of April.  See the following link

https://natlib.govt.nz/events/national-preservation-office-conservation-clinic-april-18-2017

Saturday, March 25, 2017

Scanning Lantern slides

19th Century Magic lantern
 projector Wikipedia


Some time ago a client approached me about digitising a collection of early lantern slides.  Lantern slides are squarish glass slides that contain a mounted photographic transparency and are designed to be displayed in a magic lantern projector. Magic lantern projectors date back to the 17th Century and use a concave mirror at the back of a light source to direct the light through a lantern slide onto a lens which is adjusted to display the image on the slide onto a wall or screen.  Early lantern slides were hand painted images, then later the slides were printed using either photographic or photomechanical processes.






Lantern slides are positive images made from a negative. The image is mounted on a glass plate and covered with a glass cover which is taped at the edges. Lantern slide shows were either for entertainment or educational purposes. My client's slides dated from the 1920s and were black and white photographic images her Grandfather used to illustrate a presentation he made to the Nelson Literary Scientific and Philosophical Institute.  The slides and talk were about the hill tribes of Assam in north east India where he lived for some years.




Oridinary scan of image captions
Scanning the slides involved a two stage process - a reflective scan to record the image surround which contained important image captions and a second transparent positive scan.  In the second scan the scanner light is transmitted through the slide in the same manner as a magic lantern. The combination of shining light through the slide; the fact the slide sits directly below the scan head with no additional scanner glass and the auto focus function, enables a very clear high resolution scan.  Lantern slides are encased in glass so it is important to identify the emulsion side to get a clear scan.  Like glass plate negatives Lantern slides need to be handled carefully with gloves to avoid fingermarks and breakage.



Slide Scan
Final image


Final image
Final image
                       














Copyright Carterworks NZ

Friday, March 17, 2017

Chemical damage of photographic prints


Sometimes I receive photos to restore that have suffered from chemical damage and it is one of the reasons why it is so important to capture a digital copy of a photo before it deterioates further. Chemical damage includes a whole range of reactions - two common ones being silvering out and sulphiding.

Silvering out is caused by chemical breakdown of the silver used to form the image in 19th and 20th century photographs.  The silver reacts with atmospheric contaminants such as hydrogen sulphide and peroxides leaving a bluish or green tarnish in the darker areas of the photo....


Scan by Carterworks showing silvering

Sulphiding is where this reaction causes the photo to change from black to brown and create overall fading.


Scan by Carterworks showing sulphiding

Over time these chemical reactions lead to a loss of photographic information or unsightly distortions and marks on the image.   Luckily both these images were captured in time and have been restored by Carterworks.


Restoration by Carterworks



Restoration by Carterworks



The National Gallery of Australia recommends that photos should  be displayed away from direct light, ideally behind UV glass and in temperatures of around 21 C and with a relative humidity of 50%.  They also recommend that photos

be mounted and framed or interleaved and stored with archival quality chemically stable acid-free plastics such as polyethylene, polypropylene or polyester. Archival paper products should be neutral pH, unbuffered and lignin, sulphur and peroxide free. One sure way to determine if something is archival quality is to check if the material passes the American National Standards Institute Photographic Activity Test (ANSIPAT) .

Source:http://nga.gov.au/conservation/prevention/photos.cfm

In NZ you can get these archival storage materials for your photos and documents from:-

Conservation Supplies (online and in Havelock North) http://www.conservationsupplies.co.nz/
Port Nicholson Packaging in Wellington   http://www.pnp.co.nz/archival-storage/

Copyright Carterworks NZ

Wednesday, November 30, 2016

Photo manipulation before Photoshop


Below is an example of an albumen carte-de-viste composite print which features in the Graphis Atlas Interesting Picture of the Week. This image was created using a masking technique which has the allowed studio photographer to superimpose a new background around the sitter.



"The photographer created a mask for this negative and for the negative of the sitter then combined the two images during printing. This technique was perfected by Daniel and David Bendann of Baltimore in 1872. Their patented method of compositing portraits with scenery was known as "Bendann Backgrounds." For more information about these types of prints
check out http://graphicsatlas.org/guidedtour/?process_id=12

Sunday, April 24, 2016

A personal ANZAC story


Over the last few years I have scanned  First World War photos, memorabilia and diaries for others. These are very special family items.  Today I want to share my own personal ANZAC story.....

Auckland Public Library Collection
Scanned print from family collection
Like many New Zealanders I had family who went to Gallipoli as young men.  My Grandfather returned, sadly his older brother Guy did not. I was prompted to start research into my Great Uncle's story by a trip my son took to Europe, where he saw Guy's grave at Gallipolli.

My family held papers showing the location of his grave and a photo which I digitized and restored. I found information from the Auckland Museum Cenotaph database and obtained his war records from Archives NZ. My Great Uncle served with the Auckland Mounted Rifles. I found another photo of Guy in the Auckland Public library photographic collection that was similar to our family one.  As this photo was only partially identified, I was able to give the library his details.  


More recently I uncovered additional family information including his First World War diary, which ends the day before his death (less than a month after his landing at Gallipoli) and a Scrapbook of condolence letters and telegrams sent to his family following his death.                                      



I have digitized and produced facsimile copies of both the diary and the condolence book and photos. Digitization has enabled me to share these items within the family. Recently our family shared these at a commemorative service that was held at the local church my Great Uncle and his family belonged to. Following the service, descendants of the original letter writers were a able to view the letters in the scrapbook.  These items have given our family some understanding of the devastating impact that this had on Guy's family back in NZ